What initially drew you to the world of art, and how did you begin your journey as an artist?

My interest in photography grew when I transitioned from the corporate world to interior design around 12 years ago and took some short courses in London. However, it was only in 2021/22, with my children older and more free time, that I started to pursue photography seriously.  

Can you describe your preferred medium(s) and artistic style, and what draws you to these particular forms of expression?

I have always wanted to paint but never really pursued it. Photography allowed me to capture scenes I thought I would enjoy painting, which probably explains the painterly style I have developed. I have experimented with various printing mediums, such as photographic paper and canvas, and one day hope to learn to hand-paint my photographs.

How do you typically find inspiration for your artwork, and are there any recurring themes or motifs in your pieces?

I routinely photograph natural environments documenting seasonal transitions—spring’s budding growth, summer’s diverse greens, autumn’s vibrant hues, and winter’s minimalism. My series The Last Bird Song blends images of winter’s bare trees with autumn’s vivid foliage. Trees are a recurring motif in my work and are frequently accompanied by birds and bodies of water.

Could you walk us through your creative process, from the inception of an idea to the completion of a piece?

Once I have decided on a subject matter to explore, it shapes how and what I photograph. I’ll compile images over time. This can take months and many iterations. I take my best shots when I am on my own, without distraction. I have long realised that when you see something that catches your eye, stop and capture it immediately if possible. My process follows five steps: seeing, composing, shooting, editing, and sharing for feedback. This final step of sharing with colleagues and reviewers is important to me. Their input helps me progress my work.

How do you handle criticism or feedback about your artwork, and how does it influence your growth as an artist?

I remember being extremely nervous about my first session of portfolio reviews. I participated in five consecutive reviews and one that was particularly critical. It is easy to dwell on criticism and overlook positive feedback. I know my work may not appeal to everyone, and that is fine. While I am still apprehensive before reviews, I am better prepared for them now and use the feedback to evaluate my work.

How do you stay motivated and inspired, especially during periods of creative block or self-doubt?

Dealing with creative block can be challenging, but I try and overcome it by visiting exhibitions, exploring inspiring art across various mediums, and engaging with other artists. Revisiting my past work often helps too. Staying updated on environmental and climate issues also informs my photography on these topics.

What do you hope viewers experience or feel when they encounter your artwork?

My objective is to create images that foster an emotional connection with viewers, to evoke curiosity and encourage further exploration. Through each image, I want to communicate a narrative that leaves a lasting impression and ensures my work remains memorable.

Can you share any advice for emerging artists who are just beginning their artistic journey?

Stay inspired by art and be willing to try new things. I started without much experience and much later in life than many, but I had a will to learn and a determination to give it a go. Sharing your work can be intimidating, as we all fear rejection. Participate in portfolio reviews. Networking is also critical.  Invest time to go to art exhibitions, meet curators and engage with other artists. Gallery representation is one route, but you can also gain exposure through open calls, collaborations, home exhibitions, and social media. Above all, enjoy the process.

What’s next for you? Any upcoming exhibitions, projects, or goals you have?

I have recently been taken on by a gallery and am looking forward to working with them to reach a wider audience. One of my works is shortlisted at an international photo festival, and some pieces will appear in an environmental photography book, both exciting news. I’m also planning a new project which will involve traveling to some places I have never been to before.