Interview with
KARIN WEGMANN
FALL ISSUE #14 ARTIST
Karin Wegmann lives in Zurich, Switzerland. Her photographic work currently focuses on abstract landscape and nature photography. She uses ICM techniques and multiple exposures or concentrates on details. She finds her inspiration in her immediate surroundings and wants her pictures to sensitize the viewer to the perfection and importance of nature and provide a new perspective on the familiar. Wegmann’s photos have been published in print magazines by Hintology and Humana Obscura and shown in online exhibitions by ArtDoc Magazine, Docu Magazine and Nart. She is the recipient of the Top Ten Photographer Picture Award 2025 and sells her photos as postcards.
Learn more about
Karin Wegmann on Instagram
@kawezuerichphoto
Photo by Valérie Jetzer, Edited by Karin Wegmann
A Symphony of Leaves I
A Symphony of Leaves III
Can you describe your preferred medium(s) and artistic style, and what draws you to these particular forms of expression?
My basic approach to creating is to produce an aesthetic and moving image. My photography is abstract. Abstraction gives me unlimited freedom and allows me to create something unique, which is hardly possible in this day and age, when so many images are being taken. Most of my photographs are double or multiple exposures, created using ICM (Intentional Camera Movement) technique, or a combination of these. These techniques open up endless visual possibilities.
How do you typically find inspiration for your artwork, and are there any recurring themes or motifs in your pieces?
I find most of my inspiration in nature. My pictures feature trees, flowers, water, the sky, and unspoiled landscapes throughout the seasons. I usually take photos during the golden or blue hour. I love this special light just before or after sunset, and it has an energizing effect on me personally. I almost always take photos in my immediate surroundings, but sometimes I seek out specific locations at particular times of day. However, I avoid well-known photo spots.
What role do you believe art plays in the world, and how do you see your work contributing to nature/environment conversations?
I believe in the healing and harmonising power of art. It inspires, provokes, and encourages reflection and exchange.
My photography is characterised primarily by simplicity, calmness and positivity. In an era of overstimulation and largely negative information, I aim to provide a counterbalance through my work. I want to give viewers space to relax and let their imaginations run wild. Using experimental techniques turns my images into abstract representations of what I feel, rather than what I see. My goal is to create new, unknown “landscapes” that counteract the hectic pace of our lives.
I hope this will sensitise viewers to the need to protect nature, the source of our existence.
How do you approach experimentation and innovation within your art, and how important is it for you to push boundaries?
I recently studied various experimental photographic techniques, which I found very enriching. However, I realized that I still need to build on and develop my core skills. For my work, the important thing now is not to expand, but to set my own limits. This will help me to focus on the essentials. For instance, I create many double exposures in-camera by combining subjects that are close to each other. This is how the two images featured in this issue of Humana Obscura were created.
How do you handle criticism or feedback about your artwork, and how does it influence your growth as an artist?
As a self-taught photographer, I am very grateful for creative exchanges with other photographers and friends, and I actively seek out such opportunities. I welcome suggestions and criticism. While other people’s perspectives are usually enriching and instructive, they don’t have to coincide with my own. My pictures don’t have to appeal to everyone. I also learn a lot by looking at other people’s photographs.
How do you stay motivated and inspired, especially during periods of creative block or self-doubt?
I started taking abstract photographs in autumn 2022. Fortunately, I haven’t experienced any creative blocks since then. Expanding my knowledge and exchanging ideas with other photographers helps me generate new ideas.
Self-doubt has been a companion throughout my life. Through constant work on myself, I have managed to eliminate much of it, which has also impacted my photographic work. When I was twenty, I wanted to become a photographer, but I lacked the self-confidence to make it happen. So, I had to wait until my late fifties to get started with photography.
How do you utilize social media or online platforms to promote your work and connect with your audience?
I use social media, especially Instagram, as it gave me my first opportunity to showcase my photos to a wider audience and establish contacts for publishing my work in print magazines such as Humana Obscura or Hintology. Working with social media requires tremendous discipline and focus. It also requires the knowledge necessary to engage in interesting dialogues with viewers and avoid superficiality.
How do you maintain a healthy work-life balance while pursuing your artistic career?
Balancing artistic work with gainful employment and family life is difficult. However, the less time you have, the more you must focus, which can also be a positive thing. I also do sports and spend a lot of time outdoors, including taking photographs. This gives me energy and balance.
What’s next for you? Any upcoming exhibitions, projects, or goals you have?
I am currently focusing on networking with photographers and artists in my area. I am also working on several larger photography series and intend to exhibit some of my photos in a group exhibition. And I’m going to set up a website.